Amana Part
amanacontact@aol. fr. First, a big thank you to all who support us and / or follow us (yes, through the magic of the Internet, we know almost everything about you!). We continue to receive new applications for membership and donations, not to mention lots of messages of sympathy. All this is heart-warming . . . it's good to feel surrounded!. With regard to the preparation of TOTEM, things become clearer by the day. It's very emotional to come here, after all the events we have experienced!. TOTEM filming lasts 13 days in total, including three in September and 10 November. Three days of filming will be done in Paris in November. - A technical adviser: it will work on site and will accompany the actor throughout the film;. - A chef-opérateur/cadreur: it takes care of everything concerning the image and light. - A script / assistant director: it ensures continuity chronologiquedu short film;. - A student affiliated with Cinedance: it is responsible for logistics (eg obtaining the necessary permits to film) . . Our chef-operator and our script will go on site a few days before the arrival of the rest of the team to prepare for the shoot. TOTEM the soundtrack will be supported by the group Horizons Interiors. They will travel in October to meet a amana part of the team Ardèche, and go on some shooting locations. . . amanacontact@aol. fr. The pre-assembly of footage shot during the November session was conducted with the help of precise Ananda Guillet, president of the "Visions of Gaia" (see Friends of Amana). But we realized that the sound was not exploitable. The short film based largely on sound environments, we can not afford to neglect this aspect of the film. Therefore, it is necessary to reproduce everything in the studio. An estimate was made from a sound design studio in Lyon. The estimate is about 8000 euros. amanacontact@aol. fr. In this new post, you can discover the new film's press kit TOTEM. The former was to present our approach and give an idea of ??what could be the film before it is turned while the latter as this really is quil. Moreover, notice that the visuals used for the latter are taken from the film. Other information (not least), the image editing is finished! We are currently preparing for the post-production sound to start in October. We work with Sylvain Guehl, a sound designer and composer Lyon. The sound-design is a common technique in film that the studio is to replicate all the sounds and noises that we hear in a movie (no noise, rubbing of clothing, breathing . . ). On the set, the lessee records the sound witness who will guide the sound designer during the assembly of sounds. .
